Showing posts with label Potchla Vee. Show all posts
Showing posts with label Potchla Vee. Show all posts

Sunday, 29 May 2011

Blawan - 'What You Do With What You Have'

More heat coming from Blawan, just at a time when you'd be forgiven for thinking the young producer had given the best he had to offer for a while on the last two releases. 'Potchla Vee' - featured on Hessle Audio's '116 & Rising' LP - and 'Getting Me Down' represented the latest efforts in an almost faultless back catalogue from Barnsley born Jamie Roberts, a factor which he seems to take great care and detail over, quality over quantity. However, new material is surfacing, with a track titled 'What You Do With What You Have' according to Ben UFO aired on Hessle Audio's previous two Rinse FM shows. And my word it hits hard.

'What You Do With What You Have' follows a similar construction to that of 'Getting Me Down', yet somehow it seems to do with more bite and efficiency. Once again, we see a wonderfully lifted vocal sample acting as the heart of the track, with all other elements carefully weaved around Moodymann's distorted statement. This sample was founded in Moodymann's RBMA lecture, and the way in which Blawan has adopted the lines is nothing short of brilliant (click here to view the lecture - clip at 18:00). The track sets the vocal sample in a 4/4 house rhythm, built in signature style with interplay between various percussive layers - a feature prevalent in much of his previous production. 303 acid lines submurge the rhythm, complementing the manipulated vocals and driving beat with the dark melody each stab works to generate. It's the way in which the vocal sample is arranged that resonates, however, hypnotising you into a groove. Blawan on his finest form. Whether or not we'll be seeing this on 12" is unknown at present, but I'm hoping an R&S release is in the pipeline.


"But I’m going to tell you something. It ain’t what you got, it is what you do with what you have. It ain't what you do, it is how you do it, and that goes with anything. I don’t care if you are out here selling dope, do it well. I don’t care if you are out here selling pussy, fuck it well. It is not what you do, it is how you do it. Who gives a fuck what that motherfucker say? Who gives a fuck what that motherfucker say? You have to be comfortable with yourself at the end of the night. ‘Cause that motherfucker over there isn't paying your bills, that motherfucker over there, you don't know that motherfucker from Adam Scratch, you have to be comfortable in what you do. And whatever you do, do it well. When you leave here, what you do, do it well. It ain’t what you got; it is what you do with what you have." (Kenny Dixon Jr aka Moodymann)

Friday, 20 May 2011

Blawan - 'Getting Me Down' (DOWN001)

Blawan's 'Getting Me Down' has been doing the rounds for a good few months now, ever present in the sets of Ben UFO, Pearson Sound, Joy Orbison et al. There's good reason too. It may just be Jamie Roberts' best work to date, although in all honesty both his debut on Hessle and his latest EP on the legendary R&S were outstanding, not to mention the sublime 'Potchla Vee' recently featuring on Hessle Audio's '116 & Rising' compilation, a track which gives this 12" competition in terms of quality. The vocal sample taken from Brandy's 1994 track 'I Wanna Be Down' both helps and hinders the track. A sample Roberts manipulates wonderfully, fitting perfectly alongside the pulsating rhythm, yet the element preventing the track from full release. Thankfully this one has seen a white label release, limited copies so act fast.

The track begins with a relatively understated introduction, with crisp hi-hats frequenting, whilst the vocal sample wails 'Down' repeatedly and acid synths slowly wear down the tone. The drop is something else. From here on in the beautiful Brandy sample takes over, structured through a typically up front and kinetic percussive arrangement from Blawan, a signature we have seen him produce on both 'Iddy/Fram' and the 'Bohla' EP. The uncompromising beat constantly kicks away, soon given real intention by the corrosive synths, which give the previously blissful vocals a darker edge. Blawan's been on fine form recently, and this 12" indicates that his continuing strides will not be stopped.

Huge 12". Don't sleep on this one.