Showing posts with label 502 Recordings. Show all posts
Showing posts with label 502 Recordings. Show all posts

Thursday, 30 June 2011

Teeth - Shawty & CNT/Lowcut Champagne

Matti Pentikäinen is very much on top form at the minute. The Finnish producer who operates under the moniker Teeth is responsible for a couple of the strongest releases to see the light of day in May and June. His debut came last month on Oneman’s 502 Recordings, a release which has firmly placed Teeth on the map. The eminent ‘Shawty’ was a real statement from the Finn, presenting an inimitable sound that cannot be defined through placement in an umbrella genre grouping. His second 12” was released at the beginning of the month, with CNT/Lowcut Champagne forming his follow up to ‘Shawty’ on Noppa Records. Two tracks of real quality were on display once again, sharing similar characteristics which helped to endear his debut. The sounds are introspective and brooding, yet simultaneously retaining features which endow the tracks with dancefloor compatibility, a quality Addison Groove has mastered on his latest releases. However, there is undoubtedly something special about Teeth’s early sounds.

Oneman copped an absolute killer in ‘Shawty’, and the risk taken on signing the track has justifiably paid off. After first listening, you realise there’s something definitive about the track. Its sensuality absorbs you, whilst shifting percussion underlies a sense of difficulty and anxiousness. The seductive vocal sample (Beyonce’s whisper of “shawty what your name is”) and stunning synthlines bring the heat, supported by deep pads and frenetic hats which lie beneath throughout. The tough garage rhythm that occupies in stages and surging sub bass bestows the track club suitability, albeit an uncomfortable one. The track sits at 147 bpm, a fair distance from the plentiful 128-130 somethings that have risen to prominence over the past 12 months. It’s an unusual tempo, one which lends to the track’s brilliance. A bold move on paper, it undoubtedly facilitates success. Backed by a powerful Falty DL remix, one which gives the original a run for its money, and a genius VHS inspired video, the overall package is excellent.

‘CNT’ makes an immediate impact through its razor sharp percussion, vibing off jukes kicks whilst hard drum hits weave a syncopated rhythm alongside the uncertain snares. A quick fire vocal sample intermittently pierces, gaining more prominence as the track progresses, sitting wonderfully atop the supple kicks. It’s the breakdown that marks the significant element here though, with the mood changing in an instant. Warm, hazy synthlines ascend and take dominance, juxtaposing the harsher sounds of the sharp beats. On the flip, ‘Lowcut Champagne’ is the more appealing of the two, pensive and melancholic in tone. The percussion is buoyant, recalling the intricacies of Joe. A heavy off-beat garage rhythm takes centre stage in phases, reminding us of the strength of Teeth’s percussive arrangements. However, the vocal clips and synths are utilised once again to produce an ominous atmosphere. A yearning diva cries “feel it”, softening the blow of every drum hit. The break allows beautifully morose synthlines to construct a melody of wonderful proportions, providing the track’s finest moment.

Two excellent releases from Teeth, with the promise of more quality forthcoming on Ramp, 502 and Noppa.

502:003 Teeth - Shawty/Shawty [FaltyDL Remix] by 502 Records

Teeth 'CNT' / 'Lowcut Champagne' NOPPA008 by stholdings

Monday, 23 May 2011

92 Points - Visionist 'Mr.67' (PNTS001)

A new imprint is born. 92 Points is a label established by the Brixton-based We Are Dubist collective, conceptualised with the intention of joining "the dots between the rapturous heights of 1992 golden-era jungle, turn of the century champagne-bubbly garage, and the modern day mongrel forms that have been shutting down dances of late." Strong artwork and uncompromising experimental bass music is almost assured, undoubtedly so if the label's forthcoming first release is anything to go by.

The imprint will debut with Visionist's indelible 'Mr.67', a track much desired over the past few months after Oneman dropped the future anthem at Boiler Room #45. The hype surrounding the track has been heightened by extensive air time from the likes of Blackdown and Dark Sky, hype which the track promises to justify. Aligned with pounding 808 kicks 'Mr.67' is a driving force, with anxious cowbells and crashing toms working in conjunction with restless synth lines to evoke darker tones, completed by the instantly recognisable "It's the six-seven" vox'd vocal. It's an absolute killer, so make sure you keep your eyes peeled for the 12".

Visionist will also have releases coming on 502 Recordings, Left_Blank and Diskotopia following his debut on the newly formed 92 Points. To mark PNTS001, Visionist is offering 'A.E.O.M.' for free download from the 92 Points tumblr page. 'A.E.O.M.' is one of Visionist's strongest production's, a track combines strong rhythms with introspective breakdowns. The first half of the track is dominated by a powerful rhythm, filled with deep kicks, crisp cowbells and a repetitive vocal clip. However, as the track progresses, it takes a different turn, leaning towards a breakdown that moves things in a different direction. From beneath the sound 808 arrangements rises a soft female vocal, accompanied by sharp chord stabs that work an uplifting melody. 92 Points and Visionist in full control. It's the six-seven.

Monday, 4 April 2011

Swamp81 x 502 Recordings at Cable

We Fear Silence presents Swamp81 at Cable on the 23rd April, and the night they have in store promises to match the quality of the label's recent releases. Loefah's Swamp81 imprint has gone from strength to strength over the past few months, with killer 12" releases from Pinch, Boddika, Addison Groove, and most recently FaltyDL. And, of course, there's the small matter of the signing of 'Sicko Cell/Knock Knock' for the label's 14th release. The night at Cable is a sign of the growing Swamp brand.

Swamp81 will head up the main room, with a line-up that will bring many to tears. Shortstuff and Reecha will warm the crowd, building for the arrival of Ben UFO, FaltyDL and Boddika. Joy O will then provide his wonderful blend of the blissful and the bastard, with an exclusive 2 hour mix from head honcho Loefah in the midst of this talent. Excellent.

If that wasn't enough, room two will be hosted by the increasingly reputable 502 Recordings. Oneman's imprint has two 12"s in it's back catalogue to date, from Fis-T and Jay Weed respectively, with a huge 12" from newcomer Teeth to be released very soon. 502 will be displaying it's array of talent, with the brilliant Visionist, Fis-T, Jay Weed and Teeth all playing in the second room. Oneman will also be contributing another of his revered sets with the help of everyones favourite MC Asbo.

23.04.11. 10pm-6am. £9 advance tickets/£12 OTD. Attendance is vital.

Friday, 18 March 2011

Introducing Visionist (Mr.67)

Introducing Visionist (Mr.67). The 21 year old producer is one of the most promising artists around at the minute, with his unique take on UK bass music making quite an impact. Visionist is part of the ‘We Are Dubist’ crew, a collective of MCs, DJs and producers who run a series of dubstep nights. Visionist isn’t a dubstep producer though. ‘Mr.67’, the track which featured in Oneman’s set at the Boiler Room #45 (Standard Place), demonstrates the young producer’s unique sound, one which I can only draw comparisons to in relation to Addison Groove (especially ‘Footcrab’), and still there are notable contrasts.

‘Mr.67’ is infectious. The tracks intricate percussive arrangements, distant synth, recurring cowbells and repetitive vox’d vocal sample combine to form a track which will soon dominate sets, in a similar fashion to ‘Footcrab’ and ‘Work Them’. The track has been receiving a great deal of support, with plays on Rinse FM from Blackdown and Oneman, as well as backing from the likes of French Fries and Dark Sky. It has also been recently announced that Visionist has signed to Oneman’s 502 Recordings, and he will also be working on releases for another couple of releases which should hopefully be surfacing soon.

Visionist (Mr.67) has kindly put together an exclusive mix of his own productions for us, demonstrating his promise as an artist. The mix contains some excellent material, with highlights including the ever growing ‘Mr.67’, 'A.E.O.M', 'Can’t Handle This', and ‘Come In’. If this is an indication of what’s to come from Visionist, he will undoubtedly emerge as one of 2011’s most promising producers. You can check out Visionist’s sounds by clicking here, and the mix is available for download below (follow the link to download).

Visionist (Mr.67) - Daily Bugle Mix

Tracklist:
- Mr.67
- A.E.O.M
- W.M.I.D
- I Don’t
- Sweepstake
- Can’t Handle This
- Tropic Thunder
- Rock The Flock
- Temptations
- Come In